24
Nov

November

Open to Find True Happiness

Open to Find True Happiness

This month, the “Chair of Biology” got exhibited once more, as part of an installation called “Open to Find True Happiness”.

The venue was a private function, and the exhibition counted other visual artists (acrylic painting by Anthony Tan , photography by Ulla Graton, ink painting on rice paper by Sandrine Tusin), and a beautiful voice performance of various songs by Guylene Harris.

The picture above is of the installation earlier, in my garden. Here is the full description of the installation and it’s meaning:

As one looks on, one sees only a living room. But beware, all is not what it seems. The paper chair is a “Chair of Biology”, made using the artist’s recycled biology thesis. The lamp is a paper “Lamp of Enlightenment” produced using one year’s schoolwork (the artist’s daughter’s). The footstool has designs inspired by plant embryos painted on it (and is just there to help create the impression of a cosy room), and the book is nothing more that its cover (despite or because of the promises of the title).
By using meaningful paper as building material, I want to change the perception we have of the chair, the lamp. These objects are functional, but their importance as “chair” or “lamp” becomes challenged once we know they are made from “important” paper - they become the thesis or the schoolwork, at least in the mind of the “paper donors”, and hopefully in the mind of the viewer. Can memory be transmitted from one person to the other?
As the viewer ponders about the implications of opening the book or not, it is hoped he will realise that he is also part of the cycle of life and will be recycled into something he doesn’t choose.

14
Oct

October

Leaves Falling Over Seletar Camp

Leaves Falling Over Seletar Camp

After last month’s exciting event, it was time to do what I had originally set to do: print 5 copies of my “Leaves Falling”. Here above is one of the prints. Because each map results from the overprinting of many leaves, the 5 different prints are technically “Monoprints”, i.e. unique prints. . The screens for the leaves were made using the mahogany leaves found in my garden. They have a very recogniseable shape, and are not even trying to be symetric. Their colour is often variegated as they fall and dry.

I have momentarily given up trying watercolour printing and gnarled trunk silk-screen overprinting. The watercolour experiments were never satisfying, and the gnarled trunk overprinting seemed too technically challenging. Still I have produced 4 different versions of the map:

Some of the above are still available for sale. There are also some of the 100 original maps still up for grabs. Please contact me for details.

Time to move on to my other projects:  Art and Science, Large Print, and Pameran Poskad. I might even have to have a second post this month!

24
Sep

September Too

Flamenco and Art

Flamenco and Art, by Suresh Jesuthasan

Sunday night was a night I won’t forget soon. All the artists gave their best, the musicians too. And the guests… in case you didn’t realise, dear guests and audience, the whole evening was actually a performance, and YOU were part of it. So, thank you for taking on your respective roles.

For those who missed the flamenco, sorry, you’ll have to wait for their next concert! Keep looking here for details. In the meantime, to get an update on the flamenco artists, check their website here. There, you can find out about upcoming classes. And do not hesitate to send Antonio Vargas (the guitarist/dancer) an email showing your appreciation - what a show! You might want to send Daphne Huang some roses too. Her site’s not up yet, but you can contact her here: daphnehml@pacific.net.sg.

For those who would still like to see the art and photography, it will be up until 1st of October. Kindly give me a call first (9273 4991) if you’d like to come by.

Some pieces are still for sale, so do contact me for details, or to get in touch with the respective artists directly.

To see photographs of the event, go to the unofficial gallery.